Liebeslieder

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Johannes Brahms' Liebeslieder Walzer are among the composer’s most popular works. Written between 1869 and 1874 for piano four hands and choir, set to texts by the poet Georg Friedrich Daumer, these love songs express desire, nostalgia, sorrow, and amusement in turn, in a dialogue of hearts. Their dance-like character called for movement. Les Métaboles then teamed up with Benjamin Millepied to create a choreographed version, showcasing bodies and how people love today.

Liebeslieder Walzer - Johannes Brahms

Behind Brahms the Titan, ambitious heir to Beethoven and Schumann, stands the lover of the voice, the complicit observer of Viennese customs. This is the one who composes waltzes for four hands piano and vocal ensemble, intended for amateurs. Love songs to the rhythm of dance, these Liebeslieder Walzer alternately express desire, nostalgia, sorrow, and fun in the dialogue of hearts. To this emblematic collection, Léo Warynski joins several gems of Brahmsian vocal art, in which the colors of his Metaboles shine.

Les Métaboles
Yoan Héreau et Edoardo Torbianelli, piano
Léo Warynski, direction musicale

Behind Brahms the Titan, ambitious heir to Beethoven and Schumann, stands the lover of the voice, the complicit observer of Viennese customs. This is the one who composes waltzes for four hands piano and vocal ensemble, intended for amateurs. Love songs to the rhythm of dance, these Liebeslieder Walzer alternately express desire, nostalgia, sorrow, and fun in the dialogue of hearts. To this emblematic collection, Léo Warynski joins several gems of Brahmsian vocal art, in which the colors of his Metaboles shine.

Les Métaboles
Yoan Héreau et Edoardo Torbianelli, piano
Léo Warynski, musical direction

At the initiative of the Royaumont Foundation, les Métaboles and l'Orchestre régional de Normandie will perform an original musical program that brings together Camille Saint-Saëns and the young French composer Basile Chassaing, winner in 2019 of the Académie Voix Nouvelles de la Royaumont Foundation. Entitled “Oratorios”, this project combines a contemporary creation and a major work from the repertoire according to the same theme.

Les Métaboles
L'Orchestre régional de Normandie
Léo Waryski, direction

Liebeslieder Walzer - Johannes Brahms

Behind Brahms the Titan, ambitious heir to Beethoven and Schumann, stands the lover of the voice, the complicit observer of Viennese customs. This is the one who composes waltzes for four hands piano and vocal ensemble, intended for amateurs. Love songs to the rhythm of dance, these Liebeslieder Walzer alternately express desire, nostalgia, sorrow, and fun in the dialogue of hearts. To this emblematic collection, Léo Warynski joins several gems of Brahmsian vocal art, in which the colors of his Metaboles shine.

Les Métaboles
Yoan Héreau et Edoardo Torbianelli, piano
Léo Warynski, musical direction

Liebeslieder Walzer - Johannes Brahms

Behind Brahms the Titan, ambitious heir to Beethoven and Schumann, stands the lover of the voice, the complicit observer of Viennese customs. This is the one who composes waltzes for four hands piano and vocal ensemble, intended for amateurs. Love songs to the rhythm of dance, these Liebeslieder Walzer alternately express desire, nostalgia, sorrow, and fun in the dialogue of hearts. To this emblematic collection, Léo Warynski joins several gems of Brahmsian vocal art, in which the colors of his Metaboles shine.

Les Métaboles
Yoan Héreau et Edoardo Torbianelli, piano
Léo Warynski, musical direction