Everything sings at Ravel's: the strings of Daphnis and Chloé, the piano from Jeux d'eau or the whirlwind of fantastic characters from L’Enfant et les Sortilèges. However, his work for a cappella choir is reduced to the twirling but very short Three Songs. Never mind ! Didn't Ravel himself transcribe, here for piano, there for orchestra, a good part of his catalog? Here is Ma mère d'Oye, Miroirs, Scheherazade offered to the virtuosity and playfulness of the singers of the Métaboles - and in creation, the transcriptions of the Bolero and Pavane pour une infante défunte

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A lyrical two-part work by Italian composer Luigi Nono, Al gran sole carico d´amore was composed in 1974 by commission Teatro alla Scala and dedicated to conductor Claudio Abbado and pianist Maurizio Pollini.

The organ and the voice are poor relatives in the catalog of Iannis Xenakis, but they are not absent, and have been the subject of the same radical questioning instigated by the Greek composer in other fields.

Les Metaboles
With the participation of amateur choirs
Léo Warynski, conductor

More d'information and réservation here

A lyrical work in two parts by the Italian composer Luigi Nono, Al gran sole carico d´amore was composed in 1974 on a Teatro alla Scala commission and dedicated to the conductor Claudio Abbado and the pianist Maurizio Pollini

Remember is the name of the new piece by Elzbieta Sikora, a composer born in Poland and living in Paris. This work refers to that of Luigi Nono, Quando stanno morendo. Diario polacco No. 2, the two coins commemorating the victims of violence and political injustice.

A lyrical work in two parts by the Italian composer Luigi Nono, Al gran sole carico d´amore was composed in 1974 on a Teatro alla Scala commission and dedicated to the conductor Claudio Abbado and the pianist Maurizio Pollini

A lyrical work in two parts by the Italian composer Luigi Nono, Al gran sole carico d´amore was composed in 1974 on a Teatro alla Scala commission and dedicated to the conductor Claudio Abbado and the pianist Maurizio Pollini

A lyrical work in two parts by the Italian composer Luigi Nono, Al gran sole carico d´amore was composed in 1974 on a Teatro alla Scala commission and dedicated to the conductor Claudio Abbado and the pianist Maurizio Pollini

The Angels immerses the listener in the twists and turns of spiritual music. The works of Purcell, Byrd and Palestrina, masters of 17th century polyphonic music, resonate with those of Harvey, a major figure in contemporary music

Everything sings with Ravel: the strings of Daphnis and Chloé, the piano of the Water Games or the whirlwind of fantastic characters from L'Enfant et les Sortilèges. However, his work for a cappella choir is reduced to twirling but very short Three songs. Never mind ! Didn't Ravel himself transcribe, here for piano, there for orchestra, a good part of his catalog? Here is Ma Mère l'Oye, Miroirs, Scheherazade offered to the virtuosity and playfulness of the singers of the Métaboles - and in creation, the transcriptions of the Bolero and the Pavane pour une infante defunte by Thibault Perrine.

In 1994, Messe un jour ordinaire crossed the vehement and shattering words of mass with that, individual and derisory, of Laurence, a young drug addict who appeared in a documentary by Jean-Michel Carré. 20 years later, Bernard Cavanna rewrites it to reinforce the presence of voice and choir.

Opera in four acts by Zhou Long, libretto by Cerise Lim Jacobs.
Created in 2010 by Opera Boston.

Opéra Comique presents this spectacular and visually powerful production as part of an exceptional partnership with the Beijing Music Festival.

Opera in four acts by Zhou Long, libretto by Cerise Lim Jacobs.
Created in 2010 by Opera Boston.

Opéra Comique presents this spectacular and visually powerful production as part of an exceptional partnership with the Beijing Music Festival.

Opera in four acts by Zhou Long, libretto by Cerise Lim Jacobs.
Created in 2010 by Opera Boston.

Opéra Comique presents this spectacular and visually powerful production as part of an exceptional partnership with the Beijing Music Festival.

Opera in four acts by Zhou Long, libretto by Cerise Lim Jacobs.
Created in 2010 by Opera Boston.

Opéra Comique presents this spectacular and visually powerful production as part of an exceptional partnership with the Beijing Music Festival.

ARCO – Art, Research and Creation Opus 2022 – is a binational university dedicated to musical creation, association between the Mozarteum University Salzbourg, Gmem-Marseille (one of the French National Center of Musical Creation) and French ensembles Multilaterale, Les Métaboles and Tana string quartet.

ARCO 2022 will be hosted by Mozarteum University Salzburg.

During a trip to Italy, Marc-Antoine Charpentier observed what in Venice was called the "cori spezzati": the dialogue of vocal groups installed on either side of a church. In this program he works alongside Jean-Philippe Rameau, Gregori Allegri and Lithuanian composer Juta Pranulyte. But the centerpiece of this new program is signed Orazio Benevolo, a little-known musician, chapel master at the Vatican from 1646 to 1672. Thanks to the conductor and musicologist Louis Castelain, who patiently copied the score in a Roman library, the Metaboles sing for the first time since the 17th century this four-choir Mass by the Italian composer.

Everything sings with Ravel: the strings of Daphnis and Chloé, the piano of the Water Games or the whirlwind of fantastic characters from L'Enfant et les Sortilèges. However, his work for a cappella choir is reduced to twirling but very short Three songs. Never mind ! Didn't Ravel himself transcribe, here for piano, there for orchestra, a good part of his catalog? Here is Ma Mère l'Oye, Miroirs, Scheherazade offered to the virtuosity and playfulness of the singers of the Métaboles - and in creation, the transcriptions of the Bolero and the Pavane pour une infante defunte by Thibault Perrine.

During a trip to Italy, Marc-Antoine Charpentier observed what in Venice was called the "cori spezzati": the dialogue of vocal groups installed on either side of a church. In this program he works alongside Jean-Philippe Rameau, Gregori Allegri and Lithuanian composer Juta Pranulyte. But the centerpiece of this new program is signed Orazio Benevolo, a little-known musician, chapel master at the Vatican from 1646 to 1672. Thanks to the conductor and musicologist Louis Castelain, who patiently copied the score in a Roman library, the Metaboles sing for the first time since the 17th century this four-choir Mass by the Italian composer.

During a trip to Italy, Marc-Antoine Charpentier observed what in Venice was called the "cori spezzati": the dialogue of vocal groups installed on either side of a church. In this program he works alongside Jean-Philippe Rameau, Gregori Allegri and Lithuanian composer Juta Pranulyte. But the centerpiece of this new program is signed Orazio Benevolo, a little-known musician, chapel master at the Vatican from 1646 to 1672. Thanks to the conductor and musicologist Louis Castelain, who patiently copied the score in a Roman library, the Metaboles sing for the first time since the 17th century this four-choir Mass by the Italian composer.